Students of color are invited to attend a virtual meeting Wednesday with College President Katie Conboy to share their aspirations and stories, said Redgina Hill, executive director of inclusion and equity, in an email Thursday.“We are entering a new time at Saint Mary’s, and this is the perfect opportunity to dream together to create change,” Hill said.Students interested in participating are asked to register via a link within the email.Tags: inclusion and equity, president katie conboy, students of color
Church, environmentalists ask DENR to revoke ECC of Quezon province coal plant LATEST STORIES Ethel Booba on hotel’s clarification that ‘kikiam’ is ‘chicken sausage’: ‘Kung di pa pansinin, baka isipin nila ok lang’ Lacson: SEA Games fund put in foundation like ‘Napoles case’ Don’t miss out on the latest news and information. Robredo: True leaders perform well despite having ‘uninspiring’ boss PLAY LIST 02:49Robredo: True leaders perform well despite having ‘uninspiring’ boss02:42PH underwater hockey team aims to make waves in SEA Games01:44Philippines marks anniversary of massacre with calls for justice01:19Fire erupts in Barangay Tatalon in Quezon City01:07Trump talks impeachment while meeting NCAA athletes02:49World-class track facilities installed at NCC for SEA Games Hotel says PH coach apologized for ‘kikiam for breakfast’ claim National Coffee Research Development and Extension Center brews the 2nd National Coffee Education Congress Teng shows he can do more than just score Trump strips away truth with hunky topless photo tweet MOST READ FEU Auditorium’s 70th year celebrated with FEU Theater Guild’s ‘The Dreamweavers’ Mark Isip. PBA IMAGESMark Isip ignited Marinerong Pilipino’s 119-74 blowout win over Zark’s Burgers to stay in the running in the 2017 PBA D-League Foundation Cup Tuesday at Ynares Sports Arena in Pasig.The 36-year-old forward unleashed nine of his 12 points in the first quarter and got six rebounds to help the Skippers string their first back-to-back wins.ADVERTISEMENT Isip triggered Marinerong Pilipino’s early 11-0 run to pullaway, 17-7, before extending the lead to its biggest at 45 late in the game.“We just want to break their spirit early on, pound them, and attack them. The players responded even if we found out that Mac (Cardona) was playing today,” said coach Koy Banal.FEATURED STORIES SPORTSSEA Games: Biñan football stadium stands out in preparedness, completionSPORTSPrivate companies step in to help SEA Games hostingSPORTSWin or don’t eat: the Philippines’ poverty-driven, world-beating pool starsPao Javelona was all over the court as he led the Skippers with 17 markers, seven assists, four boards, and three steals, while John Lopez just missed out on a double-double with his 15 points and nine rebounds.The victory kept Marinerong Pilipino in the race to the top six with its 3-4 record, identical with Racal Motors, as it sits a game behind sixth placer Batangas (4-3) in the standings. Robby Celiz paced cellar-dweller Zark’s Burgers (1-8) with 16 points, five rebounds, and four assists, while James Mangahas got 12 markers and five boards in the defeat.Mac Cardona fired 11 points, three rebounds, and two assists in 23 minutes of play for the Jawbreakers in the first game of his comeback tour to revive his professional career.The Scores:MARINERONG PILIPINO 119 – Javelona 17, Lopez 15, Isip 12, Moralde 12, Salcedo 12, Gumaru 11, Publico 11, Alabanza 7, Subido 7, Iñigo 5, Sargent 4, Gavieres 4, Javillonar 2, Marata 0.ZARK’S BURGERS 74 – Celiz 16, Mangahas 12, De Leon 11, Cardona 11, Argamino 9, Nalos 6, Bautista 5, Cudal 4, Ferrer 0.ADVERTISEMENT El Nido residents told to vacate beach homes Quarters: 27-15, 55-38, 87-57, 119-74.Sports Related Videospowered by AdSparcRead Next View comments
Google’s foray into the Indian streets, which had kicked off by capturing 360 degree images of Bangalore’s roads, hit a roadblock following an objection by the city police. About four weeks after the search giant’s Street View cars started driving around the city, the company was forced to ground the fleet after objections raised by the Bangalore Police. A statement from Google said it had received a letter from the city police commissioner asking it to stop the cars. Equipped with hi-tech cameras, the cars were taking 360 degree pictures and mapping the roads for the Street View service. Google India had launched its Street View project in Bangalore on May 26 with an aim to capture the street views of the city to feed its popular Google Maps platform. These images were to be embedded onto the popular Google Maps and Google Earth services.Street View is a popular feature in Google Maps that allows users to virtually explore and navigate a neighbourhood through panoramic street-level images. The service has raised a lot of privacy issues in countries like the US, Greece, Japan and the UK, where it was launched earlier.For more news on India, click here.For more news on Business, click here.For more news on Movies, click here.For more news on Sports, click here.
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TagsTransfersAbout the authorPaul VegasShare the loveHave your say Bristol City boss Johnson admits big interest for Liverpool, Man Utd target Kellyby Paul Vegas10 months agoSend to a friendShare the loveBristol City boss Lee Johnson admits there’s growing interest in England Under-21 defender Lloyd Kelly.Liverpool are among Premier League clubs keen, along with Manchester United and Tottenham.Johnson said, “Of course, there is (interest).”If you’re a Premier League club and you’re not interested in Lloyd Kelly, you’re not doing your recruitment right. Twenty years old, playing for England and can play multiple positions.”Whether someone pushes the button on it is a different matter. I guarantee, statistically and with the eye, every Premier League club would’ve had a look.”
TagsTransfersAbout the authorPaul VegasShare the loveHave your say Rojo: I’ll fight for my place at Man Utdby Paul Vegas10 months agoSend to a friendShare the loveManchester United defender Marcus Rojo has revealed how his injury hell has tested his mental strength to the limit.The Argentine ace has returned home for further treatment on an unspecified problem he first suffered in the World Cup that forced him to miss the first 20 games of United’s season.United have no idea when he will be back and Rojo, who has endured fitness problems for the past two campaigns, said: “The worst thing about it is that it is the second year running I have not been able to have a full pre-season with my team-mates.“These kind of things can happen in football.“That’s the game of football. It can happen to anyone and this time it happened to be me.“It’s all about being strong mentally. I am strong mentally and it is now about turning it around and starting again. I’m always going to fight hard to earn my place in the side.”
GAINESVILLE, FL – SEPTEMBER 15: A view from the end-zone as the Tennessee Volunteers take on the Florida Gators at Ben Hill Griffin Stadium on September 15, 2007 in Gainesville, Florida. Florida defeated Tennessee 59-20. (Photo by Doug Benc/Getty Images)This past February, five-star defensive end recruit CeCe Jefferson put Florida fans through the wringer by waiting a number of days to sign his official Letter of Intent to play for the Gators. Well, it looks like Jefferson, who cited coaching changes as the reason for his holdout back then, is all-in on Florida now. Friday night, he got a tattoo of his school and his class – the #UF19 hashtag that Florida freshmen-to-be have been using.Newest ink pic.twitter.com/XDt2kJd44A— C (@cecejeferson7) March 14, 2015Jefferson is considered one of the most promising recruits in the entire 2015 class. We have a feeling that UF fans will forget all about National Signing Day if he turns out to be as advertised.
TORONTO – The Bank of Canada remains cautious about future rate hikes as it measures the risk posed by low inflation that continues to fall short of the central bank’s two per cent target, senior deputy governor Carolyn Wilkins said Wednesday.“Just three weeks ago, the bank decided to leave the policy rate unchanged. We said at the time that while less monetary policy stimulus will likely be required over time, governing council will be cautious in making future adjustments to the policy rate,” Wilkins said in remarks made in New York.“One of the motivations for caution is that inflation has been in the lower end of the inflation target bands of one to three per cent for quite some time.”Inflation in Canada slowed over the first half of this year and remained in the lower half of the Bank of Canada’s target range even as the economy grew quickly.Caution, however, has its limits in times of uncertainty, Wilkins added, including those related to monetary policy and financial stability.“Whether it is about how aggressive or how cautious policy should be — getting the dosage right demands sound judgment about complex trade-offs,” she said.“And, like many businesses and households, central banks have established techniques to reduce, where possible, the level of uncertainty they experience.”Speaking before the Money Marketeers of New York University, Wilkins said the central bank is particularly focused on data that indicate how wages and potential output are progressing, as well as the effects of the two interest rate increases made over the summer. The bank is also following NAFTA negotiations closely.While higher household debt has likely heightened the sensitivity of spending to interest rate increases, Wilkins said it is difficult at this time to know by how much. There is also uncertainty about the interaction of interest rate increases with the recent tightening of macroprudential rules.To understand how the bank factors uncertainty into its policy decisions, Wilkins paralleled a scenario involving business people considering large capital expenditures who have the option value of waiting until they are more sure of the returns.“As with investment, fixed costs of changing policy direction may explain a central bank’s aversion to reversals and motivate a wait-and-see approach to policy,” she said.That said, she added, it’s unclear how costly policy reversals are for the real economy.“It is possible that the perceived costs are self-reinforcing because reversals are so rare that they are viewed as policy errors when they do occur, rather than as a sensible reaction to new information.”
New Delhi: Delhi Police on Thursday said that they have arrested a gangster from Rohini area who was involved in day light murder case in Narela area.The accused was carrying the reward of one lakh rupees. Police identified the accused as Dushyant alias Monu Bajitpur and recovered one loaded semi automatic pistol. Deputy Commissioner of Police (Special Cell) Pramod Kushwah stated that the arrest was made on the basis of tip off that Monu would visit Sector 16, Rohini, Delhi near nullah to meet his associate. Also Read – After eight years, businessman arrested for kidnap & murderThe DCP further said that on February 1, a day light incident of murder was executed near school in Narela. In this incident, the accused and his associates were found involved in the murder of one Vikas Chauhan. “This incident raised several concerns regarding the increasing incidents of gangwars in Delhi. After this incident efforts were made to arrest Monu Bajitpur. A reward of Rs. 1 Lakh was also subsequently declared on information leading to his arrest,” said DCP Special Also Read – Two brothers held for snatchingsCell. Police said that the accused is a close associate of dreaded Neeraj Bawania gang. Initially in the year 2010, he came in contact with the Kala Asodiya and Neeraj Bawania through his maternal uncle, Krishan, who was also a gangster. “His association with Kala Asodiya and Neeraj Bawania resulted in his rivalry with the dreaded gangs of Neetu Dabodia and Ashok Pradhan. Neetu Dabodia gang was subsequently taken over by Ashok Pardhan and Rajesh Bawania after Neetu Dabodia died in an exchange fire with Special Cell, ” police said. This gang rivalry has resulted in killings of several persons from both the sides. There has been three attempts to kill Monu Bajitpur in the past by the rival gang.
Watching Delhi Crime was a spine-chilling experience. Tell us about the emotional impact you endured as an actor when you read the script and began shooting. When I first read the script, I was absolutely stunned by the detailing. I knew that Richie (Mehta) had spent a lot of time on it. It was very evident that he had done extensive research. The way he chose to put that research together was brilliant. Besides being procedural, Delhi Crime sensitively examines the lives of the women investigating the case and how they negotiate patriarchy alongside discussing a world in which a crime like this happened. That is what touched me when I read the script. But I felt its full impact only after I actually watched it. When you are shooting for something, you don’t see it holistically. When you are reading a script, you can visualise it to some extent. Sometimes, the result may disappoint you or surpass your imagination. In this case, it surpassed mine in just the way he chose to pitch the performances. The time he had spent on it, the research he had done and the script were all proofs of that. With any other team, it would have been difficult to sign up for a project like this. With this one, I was certain it would be handled with sensitivity. It would have been very hard to shoot for this if I hadn’t trusted the director. I don’t think I would have been a part of this series if I didn’t have that trust because it can so easily become exploitative. Shooting for Delhi Crime must have been akin to revisiting the tragedy. In the series, we see you interacting with the family of the victim. How did you internalise the situation and the emotional graph of your character? When you are part of a project like this, you have no choice but to give it all you’ve got. While it was disturbing to revisit the tragedy while filming, I really wanted the revisit to experience the incident differently from what I had experienced as a civilian when I had heard the news. I felt like I had moved on too quickly. I thought it was something that deeply affected me at that time and it is important to remember these incidents. It is also important to fight for a society which doesn’t allow incidents like this to happen again. We forget the victims very soon, we slip back to our lives and other things take over. I felt guilty for forgetting an incident like this. I wanted to remind myself and this project, in a way, was assuaging my guilt. Even though it was disturbing and painful, it was important to revisit it. What I found compelling about this character, Neeti, was the spirit and idealism that she comes with and how she begins to change. It happens for a variety of reasons such as her realisation that she is working within a system and her disappointment at everything around her. Hence, her idealism begins to crumble and that is very heartbreaking. The breaking of a woman’s spirit is something we see all the time. Rape does that too. Every day, something like that happens through an act of violence or even smaller things that erode a woman’s morale. I wanted to tell that story and be part of it so that I could trigger conversations among people. If I can do that through my work, then I would be happy. In Delhi Crime, we get to see the human side of the police, which we do not generally see in our Hindi films… (Cuts in) Yes, yes! That is why it was very new for me. The police are either valourised or they are villainised in our films. I don’t have any friend or family in the police service. So this is the first time I learnt about their lives. It was fascinating and the detailing was very interesting. The kind of the things they have to fight for in their jobs was a revelation to me. Delhi Crime, like you said, really humanised the police for me. As Neeti, I met a lot of IPS officers who were training at that point. Mirzapur, Made In Heaven and Delhi Crime are among the biggest web series India has had of late, and you have been a part of all three. What importance do they hold in your filmography? It feels so good to be part of these series. I have always had good work in terms of content, roles and scripts. But my films, unlike these shows, did not have this kind of reach among the audience. So it is lovely to see that the web has room for all sorts of content. There can be a Made In Heaven and a Mirzapur. They belong to two completely different genres. And then there is Delhi Crime, which is again different. All three of them are getting a very wide viewership, which means there are audiences for all kinds of genres. That is very, very encouraging and I think this is the best time to be an actor (Smiles). When I made my acting debut, there were lots of good films that were being made at the time but they would always get stuck in distribution. That was the bottleneck for small films and it still is. Smaller films just don’t get a chance even if they are accessible. I felt very disappointed when my film Qissa did not reach a wide audience. It deserved a lot more. Lots of people told me back then that the film was not accessible. I told them that we underestimate our audiences and they said to me that I am too much of an indie artiste who doesn’t understand the film business. Then there was a film called Tu Hai Mera Sunday, in which I played a small part. People labelled it as a very accessible film. Even that didn’t get the viewership it deserved because of the same issues – stuck in distribution, very few theatres and odd show timings. But things have changed for actors like me. Now, content is more important. Web platforms already have a viewership. They are not yet star-driven even though I have already begun to hear a lot of murmurs here and there and that is disappointing (Chuckles). But I hope it doesn’t change. Does it give you a high to see your work reach out to 190 countries across the world? Yeah! None of my films has experienced that. So, it is new territory for me. The other day, I got a message from somebody from Israel on Instagram. He said he had watched Delhi Crime. It is nice to get feedback. It is tells you things you might not have thought about. It is nice to see that your work has affected people, stayed with them and it is something they will carry with them because this is why you do it. When it comes to the web, the biggest plus is that there is no censorship. But there has been talk of regulation. As an artiste, how do you look at creative freedom? I believe that a story will dictate how it is to be told, if you are true to it and if your reasons to do it are not exploitative. If you are telling a story with integrity and truth, it will tell you how it should be told. Therefore, I don’t feel like there should be an outside body governing and telling an artiste what to do and what not to do. I know that society feels the need for rules and that is how we live with each other. But I hope the web remains a free space and we are allowed to say what we want to say through our stories. What is next on the cards for you? There are two films I have shot that are yet to be released. One of them is more in the commercial space than anything else I have done. It is in the comic zone. That should be out in the next two or three months. They have not announced the date or the title of the film yet. It is in its post-production stage right now. Then there is this independent film I did, which is an improvised film. We had a rough structure to every scene but we didn’t know how exactly we were going to achieve the intent of the scenes. So I worked with a lot of improvisers from this group called Improv Comedy Mumbai. My husband is a part of that group. I have worked with him in this film. Then there is Mirzapur Season Two, which I will start shooting for from next month. After that, I have Delhi Crime Season Two.